(Information about the giveaway for this book is at the end of the article)
Movie musicals... some folks hate them and some simply love them. There seems to be no in-between. If you can suspend disbelief, give yourself over to magic and fantasy, and open your heart to the musical interpretation of life, then you must be in the category of those who love them. And if you love them, then "Dangerous Rhythm: Why Movie Musicals Matter" by Richard Barrios is for you.
Movie musicals... some folks hate them and some simply love them. There seems to be no in-between. If you can suspend disbelief, give yourself over to magic and fantasy, and open your heart to the musical interpretation of life, then you must be in the category of those who love them. And if you love them, then "Dangerous Rhythm: Why Movie Musicals Matter" by Richard Barrios is for you.
As a huge fan of Barrios' earlier book "A Song in the Dark," (one of my most favorite movie books ever), I was thrilled that he has again taken on his favorite topic. Unlike the earlier book, this one covers the genre in its entirety. This is no small feat and I expected a book the size of the Oxford English Dictionary, but it is a compact overview that focuses on several key aspects about this completely preposterous but endearing genre.
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| Musicals and Sound wowed the public for a time |
Barrios knows his topic inside out (I think he has seen just about every movie musical ever made), but his writing is conversational and witty and opinionated. If you love Gene Kelly unconditionally, you might get a little miffed (his gripe is not with his talent but his ego and somewhat abrasive personality). His comments about modern day stars like Madonna and Mariah Carey are amusing and spot on. He takes the time to throw roses at Jean Hagen's brilliant performance as Lina Lamont in "Singin' in the Rain" (a film he praises to the skies) and reserves high praise for my favorite movie musical, "Love Me Tonight."
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| Elegant and Timeless Perfection |
Everyone is there. The best (Astaire, Rogers, Jeanette MacDonald, Nelson Eddy, Judy Garland, Doris Day, Betty Grable, Bing Crosby, Frank Sinatra), the not-so-great (Janet Gaynor, whose voice is likened to that of Minnie Mouse's, Marlon Brando, Esther Williams) and the downright awful (poor Lucille Ball and Joan Crawford get skewered on the musical front).
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| Doris Day: She could do it all. Too bad she didn't receive better material |
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| For Barrios, The Wizard of Oz is the crowning achievement of movie musicals |
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| Perfection never goes out of style |
The greatest musicals, like the greatest films of any genre, transcend their time. Those that are great use a language that speaks directly to the human heart.
The funny thing about musicals is that they refuse to die. Every time they are on life support, they somehow manage to rise like a phoenix once more. After the novelty of the late 20s, musicals were officially dead by the beginning of the 1930's. And then came "42nd Street." After the golden age of the 1950s, "The Sound of Music" and "My Fair Lady" proved that there was life in the old girl yet. And even now, as hip and self-conscious as we are, "Chicago" and "Les Miserables" brought the public to the theaters. And on it goes, as "Jersey Boys" will open soon.
Take a Chance and Win a Copy of This Book!
Interested in reading this book? it is available at most outlets, including Amazon. Want to win a copy? Take a chance and enter the giveaway. Simply send me an email at flickchick1953@aol.com and write "GIVEAWAY" in the message section. The drawing will be held on Sunday, June 22nd. Good Luck!!
Many thanks to Claire MacKinney PR,LLC for generously providing copies of this book for review and giveaway.



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